Ghost: The Body at the Turn of the Century

Catch the “Ghost” sculpture show in its final days at Singapore’s Sculpture Square. The 69-day show, started on 25 October, will end on 31 December.

Against the pristine surface of the State, the body – unruly, visceral, and ephemeral – returns to haunt us. As an artistic medium and site of resistance, artists reconfigure the body in unpredictable, seminal moments in the arts and counter-culture. From film, music, photography, performance art to street art, Ghost unearths a different shape and understanding of Singapore.

Alan Oei, the artistic director of Sculpture Square and the curator of the show, explains in CulturePush what he hopes the show will achieve:

We tend to look at the life of different disciplines separately. Instead of looking at how each discipline evolved in relation to its predecessors, why not reframe that discourse and look at how our artists respond to the larger milieu. So much of their art uses the body as a medium or motif chafing against the paternal authority of the state. The representations of the body, both in popular media and in anti-establishment art forms – tell us so much about who we are, as individuals, as a nation.

The artists exhibiting are:

Singirl by Amanda Heng  at the Chapel Gallery – Project to amass a collection of women’s gluteus maximus, with a future view to a parade contingent. Singirl is an ongoing series on cultural commodification and national marketing. Prospectus for a Future Body by Choy Ka Fai at the Gallery Block – An installation that showcase a memory bank and system that duplicate, reproduce and control dance choreography. New Commission by Esther Lowless at the Gallery Block – Performance-sound installation to recreate the experience of hypochondriasis, anxiety disorder – the destabilization of the body. Mee Pok Man by Eric Khoo at the Chapel Gallery – Selected footage of the film, with original painted cinema banner and an installation of a scene. Street art on Chapel by Jahan Loh & Mazlan Ahmad at the Chapel Gallery (exterior) – Full building mural by street art pioneers incorporating SSQ and cultural history. New Presentation by John Clang at the Front Courtyard – A billboard and horizontal presentation of John Clang’s Beon’s series. New Commission by Lee Wen at the Chapel Gallery – A negative sculpture / cast of Lee Wen’s back. New Presentation by Li Xie at the Chapel Gallery – Approximation of The vaginaLOGUE through its set, objects, audience drawings, in addition to one to one encounters, in the form of an installation. Ray Langenbach’s Archive by Loo Zhihan at the Chapel Gallery – An archive presenting the 7 days of Artists General Assembly in 1993. Torso to Face (Female) by Ng Eng Teng (b. 1934 – d.2001) at the Gallery Block – An enclosed presentation to focus on the sensual, material presence of the sculpture. Stompin’ Ground by Suhaimi Subandie at the Chapel Gallery – The struggle of a Malay artist in Singapore presented through his music, memoirs and artifacts. The Professor Speaks by X’ Ho at the Chapel Gallery – Pseudo documentary account of Singapore and Woodstock.

Lee-Wen-Anthropometry-Revision-1

A work by Lee Wen

About Jee Leong Koh

My book of poems Steep Tea (Carcanet) was named a Best Book of 2015 by UK's Financial Times, and a Finalist by Lambda Literary. I also wrote three other books of poems and a book of zuihitsu. My work has been shortlisted for the Singapore Literature Prize, and translated into Japanese, Chinese, Vietnamese, Russian and Latvian. Originally from Singapore, I live in New York City, where I edit the arts blog Singapore Poetry, and run the Second Saturdays Reading Series and the Singapore Literature Festival in NYC.

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